Art and design

The colour wheel: mixing and relationships

Use a colour wheel to classify primary, secondary and tertiary colours, find complementary pairs and explore tints, shades and tones. The two-page A4 art workbook includes mixing predictions, warm/cool prompts and questions about how artists use colour.

Read the colour relationships, then colour the wheel yourself. The pupil sectors are intentionally unfilled.

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The colour wheel: mixing and relationships

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Page 1

NAME
CLASS
DATE
LEARNING GOAL
Learn how colours are made, mixed and
paired.
SUCCESS CRITERIA
I can name primary, secondary and tertiary colours.
I can find complementary pairs on the wheel.
I can make a tint, a shade and a tone.
Your colour wheel: colour each part to match its word
How: colour every P part first. Then mix the S parts,
then the T parts. Keep the letters and words clear.
KEY
P
PRIMARY
Red, yellow, blue. You cannot mix them from other
colours.
S
SECONDARY
Two primaries mixed: orange, green, purple.
T
TERTIARY
A primary mixed with the secondary next to it.
COMPLEMENTARY PAIRS
Opposite colours on the wheel. Side by side, they make
each other look brighter.
A
red and green
B
orange and blue
C
yellow and purple
WARM AND COOL
Warm (solid line, top): reds, oranges, yellows. Cool
(dashed line, bottom): greens, blues, purples. Yellow-
green and red-purple sit on the border.
a Which colour is opposite orange?
b Which two primaries make green?
c Which two colours make blue-purple?
d Which colour is opposite red-purple?
Colour theory reference chart
A R T A N D D E S I G N
AG E S 9 TO 1 3
CO LO U R T H E O R Y
The Colour Wheel
A colour theory reference chart to colour, label and keep.
1
Colour the wheel
Gallery 1
3 marks
A
A
B
B
C
C
P
T
S
T
P
T
S
T
P
T
S
T
red
red-
orange
orange
yellow-
orange
yellow
yellow-
green
green
blue-
green
blue
blue-
purple
purple
red-
purple
Warm colours: reds, oranges, yellows
Cool colours: greens, blues, purples
2
Read your wheel
Gallery 2
4 marks
2 Mix
3 Teacher
1 Wheel
Page 1 of 2

Page 2

Colour box 1 with one pure colour. Add a little more white, black or grey for each box.
1
TINT: ADD WHITE
Each box gets lighter.
1 pure
2
3
4
5 lightest
2
SHADE: ADD BLACK
Each box gets darker.
1 pure
2
3
4
5 darkest
3
TONE: ADD GREY
Each box gets duller and softer.
1 pure
2
3
4
5 dullest
Predict first. Then mix equal amounts and colour the result. No. 4 is a complementary pair.
MIX THESE
I PREDICT
RESULT
MY NAME FOR IT
No. 1
red
+
yellow
No. 2
yellow
+
blue
No. 3
blue
+
red
No. 4
orange
+
blue
a An artist paints a cold, calm winter evening. Which
half of the wheel would you choose from, and why?
b Where could an artist put a complementary pair to
make one thing stand out? Explain.
GO FURTHER
Make a small picture with one colour only, using its tints, shades and tones.
Colour theory reference chart
A R T A N D D E S I G N
CO LO U R T H E O R Y
S T U D I O A N D G A L L E R Y
Tints, shades and mixing
3
Tint, shade and tone
Studio
3 marks
4
Mixing experiments
Studio
4 marks
5
Colour in art
Gallery 3
4 marks
1 Wheel
3 Teacher
2 Mix
Page 2 of 2

A teaching sequence

Classify colours on a wheel, explore mixing and compare tints, shades and tones through written or visual experiments.

Read the colour relationships, then colour the wheel yourself. The pupil sectors are intentionally unfilled.

Read the complete material

Build the colour wheel

Colour primary regions first, then use the key to classify secondary and tertiary sections.

Which adjacent primary and secondary colours make this tertiary colour?

Read the colour relationships, then colour the wheel yourself. The pupil sectors are intentionally unfilled.

Read the complete material

Read the relationships

Read the warm/cool and complementary-pair notes and answer the wheel questions by locating opposites and combinations.

Which colour lies opposite orange on this wheel?

Mix tint, shade and tone

Make tint, shade and tone scales using the materials the teacher provides; predict the effect before mixing.

What changed when you added white, black or grey?

Predict, mix and apply

Complete four mixing experiments and apply one colour relationship to a small picture, explaining why it suits the intended effect. Compare the observed mixture with the prediction.

How did the observed mixture compare with your prediction?

Before you teach

Look for the thinking behind an answer, choose the support your class needs and leave room for an independent response.

What to look for

Look for correct classifications, predicted and observed mixtures, and an explanation of how a colour relationship serves an intended effect. Ask: “What changed when you added white, black or grey?” Mixing outcomes depend on the actual pigments and should be observed rather than guaranteed from the sheet. Have pupils label prediction and observation separately in one mixing experiment. They can explain a tint, shade or tone using the actual material added; do not prescribe one exact pigment outcome.

Give a little support

Provide a completed example wheel, name the pigments available and allow oral predictions before writing. Offer pre-mixed samples where colour mixing or drawing is inaccessible, while retaining the explanation of the colour choice.

Take the idea further

Ask pupils to design a small image using one complementary pair and a range of tints, shades or tones. Compare how the same colours work in another arrangement and note which feature draws attention.

Things to keep in mind

The worksheet uses a simplified paint-mixing wheel and does not specify a pigment set. Physical results vary by materials, and monochrome copies will not preserve colour categories.

Keep the idea. Make it yours.

Bring your topic, learning goal and class context to PLAI™, then review what you create.

Make one for my class

Ideas to try with your class

Sample teaching perspectives on what to try, what to adapt and what to watch for.

🍵

Tea Break Notes

The two-page wheel distinguishes primary, secondary and tertiary colours, then asks about complementary pairs and warm/cool groups. Pupils colour primary sectors first, mix secondary and tertiary positions, and answer questions using the labelled wheel.

🎒

Pocketful of Stories

The chart connects a colour vocabulary reference to mixing, relationships and later tint, shade and tone experiments. The note that yellow-green and red-purple sit on the warm/cool border avoids forcing every colour into an absolute category.

💡

Bright Idea Break

Keeping the letters P, S and T legible while colouring supports matching each sector to its category. Pupils can trace across the wheel to find opposite colours before attempting the written questions about orange, green and blue-purple.

🖊️

Kindly Red Pen

Printed colour and paint mixing may vary with materials and display conditions. Treat the wheel as a working reference, and ask pupils to describe what their own mix looks like rather than claim that every printed swatch will appear identical.

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